Kshay (Corrode) – directed by Karan Gour
Obsession – When you don’t know why you like
it and want it, but still you madly need it.
Kshay is the typical portrayal of middle class
people in our modern society. By looking at the high class people's lifestyle, the way the middle
class people dreams about the money, wealth and fame is far beyond comparison.
What Karan Gour has done with Kshay is classy, bold and brilliant.
If ‘Avatar’ plot can be compared or
related to the fight of nations for natural resources, concepts of Hinduisms,
Neyitri's character as mother nature etc., Kshay’s plot can be compared with the struggling Indian
middle class, their obsession towards wealth in their day-to-day lives. Arvind,
a hard working family guy, struggles for the completion of an unfinished
construction. He fights with his contractor who loots a portion of his monthly
wage consistently. Chhaya, a typical middle class house wife gets obsessed with Hindu Goddess Laxmi's statue, which is far beyond her need and scope of owing it.
Hit by a stone on her cheek, Chhaya walks with
a scar the whole movie, which she ironically carries as the bandwagon status that the society imprints on the face of middle class. When goddess Laxmi’s
statue flashes in front of her face, she gets the glimpse of wealth, a hope and
a leap of faith. With lot of factors drawing and captivating her to own the Laxmi
statue, she attempts desperately to buy the statue at any cost- yes, AT ANY COST. What will be the heights of extremity that she will reach
to get it, lies the plot which is so obsessive in depicting the levels of craziness
and insanity.
In Kshay, black and white texture has been well
chosen and used at its best, along with the natural lighting. To picturize obsession,
not necessarily one needs glorious colors to portray it. Colors are not needed
in detail for a subject, to get obsessed with. Entire film lies in Chhaya's obsession in acquiring the Laxmi statue. The texture of black and white
draws us well to feel her obsessiveness. The haunting background score blends
well with traumatizing cuts, composed and edited by Karan Gour himself.
It’s unfair to compare our very own Indie filmmakers with others. But, If Q, the director of the Indie movie
Gandu (2010 SAIFF winner) was termed as the ‘Gaspar NoĆ© of India’,
then Karan Gour has every right to be called as the ‘Lars von Trier of India’.
What Darren Aronofsky and Danny Boyle did with addiction in ‘Requiem for a
Dream’ and ‘Trainspotting’, Karan Gour does the same with obsession
in Kshay.
I felt some sorts of Lars von trier’s
‘Antichrist’ moments while watching Kshay. The scene where Chhaya worries to
Arvind about her miscarriage (the stunning, slow, steady, b&w prologue
scene from Antichrist where the baby falls and the couple worries later), the
tree art in the boy’s T-shirt at the statue shop (the same tree under which
Antichrist duo make love, with satanic images around them in delusive sots),
the way Chhaya hears and feels certain strangeness in and around her home (when
Antichrist heroine hearing voices and whispers around the woods).
Kudos to Karan Gour & team for making Kshay
possible amongst all odds. Kshay is a pure work of passion and a genuine piece
of art. Art, at its highest level of obsessiveness swinging to-and-fro the eyes
of the ultimate observer. The best psychological thriller I have seen in this
year so far.
Go and grab a copy of Kshay DVD right away to
immerse in the world of obsession.
You can watch the full movie online from youtube, Officially. Click Here
You can watch the full movie online from youtube, Officially. Click Here
If you love to watch black and white films drooling all the way, check
out my list of ‘Top 20 favorite B&W films’ so far. Few films in the below list has its plot dealing with certain type of psychological
condition, not Intentional though. To my surprise I found this only after making this list.
1.
Breathless
by Jean-Luc-Godard,
2.
The General by Buster Keaton,
3.
High noon by
Fred Zinnemann,
4.
It’s a wonderful Life by Frank Capra,
5.
The bicycle Thieves by Vittorio De Sica,
6.
All about eve
by Joseph L. Mankiewicz,
7.
Apu Trilogy by
Satyajit Ray,
8.
Seven Samurai by Akira Kurosawa,
9.
Mr. Hulot’s Holiday by Jacques Tati
10.
Persona by Ingmar Bergman
11.
12
Angry Men by Sidney Lumet,
12.
Sunset Boulevard by Billy Wilder,
13.
Following by
Christopher Nolan,
14.
Polytechnique by
Denis Villeneuve,
15.
Pi by Darren
Aronofsky,
16.
Modern Times by
Charlie Chaplin,
17.
The Artist by
Michel Hazanavicius,
18.
Manhattan by
Woody Allen ,
19.
Le Trou (The Hole) by Jacques Becker,
20. Brief
Encounter by David Lean.